尊敬的各位来宾：
我们面前的这座高大宏伟的楼阁就是著名的光岳楼。
光岳楼是国家历史文化名城-----聊城的象征。它建于明洪武七年（即公元1374年），距今已经有631年的历史了。光岳楼据于聊城古城的正中心，在当时建造这个楼阁的主要作用是：“严更漏，窥敌望远，报时报警”的军事作用。楼阁体现了宋元建筑到明清建筑的一种过渡，在中国建筑史上具有很高的地位，所以在1988年的时候就被评为国家重点文物保护单位。
光岳楼占地面积1236平方米，外观为四重檐歇山十字脊过街式楼阁，有东、西、南、北四个拱门，四门相通，券上方砌门额，南曰“文明”，北曰“武定”，西曰“兴礼”，东曰“太平”。从建筑结构上说它与同时修建的西安的钟鼓楼相同，都是由墩台和主楼两部分组成，我们看到的用砖石砌成的高9米的（准确的说是9.38米）就是墩台，主楼位于墩台之上，高度为24米，整个楼阁的通高和底边长都是33米，也就是古代的九丈九尺，在中国古代九为阳数之极，寓意着它的高度是不可超越的。631年来，光岳楼一直是聊城古城区最高大最雄伟的建筑。
接下来就请大家随我等楼参观。（登楼伊始）
因为这个楼阁在当时建造它是军事作用，所以上下通道只有这一个，楼梯比较陡滑，大家在登楼的时候都注意脚下。
在敞轩内檐下我们可以看到一块木制的匾额“共登青云梯”，它是原书法协会主席启功先生所题。 （乾隆御碑前）
在我们面前的这块石碑就是乾隆的御制诗章碑。乾隆皇帝曾经九过东昌（5次东巡，6次南巡，9次通过京杭大运河路过这里），六次登楼，在楼上即兴做诗13首，这块碑上就完整的镌刻了5首。碑面两首，碑阴两首，碑侧还有一首。
细心的可能已经发现，这块碑的中间有断接的痕迹，文革期间曾被拉倒毁坏过，史料记载，这里有两块乾隆的御制石碑，在文革后只恢复起一块，另一块已经对不起来了。
我们这块石碑有它独特的文物价值。这主要体现在两点上，我们着重来看一下碑侧这首诗。首先我们看它的字体，乾隆皇帝是中国历史上一位非常有才华的皇帝，在他一生当中写诗就达到了一万多首，他在各个景点留下来的字也是相当的多，但乾隆皇帝在其他地方留下来的字多为行草或者是小楷字体，您看这首诗，它是行楷字体，这种字体是不多见的，所以比较珍贵，这是其一。第二点，这首诗是乾隆55年皇帝80高龄的时候最后一次登楼所题，乾隆皇帝80岁写的诗相当少，所以，这首诗就相当的有意义了，我们看他的字写的刚劲有力，圆润流畅，由此可见我们这位皇帝的书法功底是非常浑厚的。如果大家对书法感兴趣的话，一会可以仔细的揣摩一下。现在大家随我这边请。（一楼东门）
在一楼东门的门楣之上，我们可以看到一块木制的匾额，这块匾非常的有意思，您看一下右手边第一个字，非常象我们现在所写的东西南北的“东”字，但是这块匾额是清朝时期所题，在清朝时期并没有“东”字的简写，“东”呢应该是第三个字，这个字就是我们东岳泰山的“泰”字，“泰岱东来做翠屏”，意思就是说：巍巍的泰山也不过是光岳楼东面一座翠绿的屏障。作者用非常夸张的手法，来形容这个楼阁是非常的高大和宏伟的，它的作者就是清朝著名的诗人施闰章。施闰章字尚白，号愚山，安徽宣城人，当时官居山东的学政，他有个学生非常给他露脸，就是《聊斋志异》的作者蒲松龄，施闰章就是蒲松龄的老师。施闰章在做山东学政期间曾经断过聊城一个非常有名案件—— 胭脂案，后被他的学生蒲松龄载入《聊斋志异》当中，就是我们的看到胭脂姑娘的故事（在我们湖心岛的望岳亭重檐就绘有胭脂姑娘的故事，故此岛也叫胭脂岛）（一楼室内，古城模型边）请大家到室内来。
在我们一楼的大厅，首先看到的就是我们聊城古城的模型图。它是根据清朝嘉庆年间《东昌府志》的《东昌府城图》制作的。从图上我们可以看出，我们聊城古城的边界是非常的方正，边长是一公里，面积就是一平方公里。据于古城正中心的这个高大的楼阁就是我们现在所站的位置光岳楼。它是四条主干道的交叉路口，这四条主干道方向是非常的方正，呈十字形，其它大街小巷垂直交叉。从整体来看我们的古聊城就象是一个大的棋盘，跟古城西安有几分相似，都是棋盘式方格网状构架。
聊城自古便被誉为：“能陷不失的凤凰之城”，就是说在当时我们聊城的防御体系是非常的完备的，现在我们就来看一下聊城的防御体系。首先我们看到就是古城墙，您看在四个角各有一个望敌楼，每隔一处有一个角楼，有东、西、南、北四个城门，城门外面的方块叫做“瓮城”，有个成语叫“瓮中捉鳖”指的就是我们的瓮城了。聊城的瓮城跟其它地方的瓮城有所不同，它的门都是扭头门，这在当时更增加了它的防御性。瓮城外高秃的部分为护城堤，中间的为吊桥，绕城一周的蓝色地带就是当时宽三丈，深两丈的护城河，防御体系是非常的完备。
这种规模便是明朝建立初年驻守在我们东昌卫的首御指挥佥使陈镛所建。聊城原为宋元所遗留的土城，陈镛认为这种土城已经不能满足当时的军事需要了，为了跟元军残余部队作战，他便上书皇帝，由原来的苏绿国，也就是现在菲律宾国家运来了一批进贡的楠木来建造聊城古老的城墙，然后他又用建造城墙所剩余的木料和砖石，在城的正中心建造了这样一座具有军事作用的楼阁就是光岳楼，所以建楼之初被人们称为“余木楼”。又名鼓楼。
现在大家再顺着我手的方向往上看，在上方有一个神龛，龛里供奉了一尊神像，他就是木匠的祖师爷鲁班。（在聊城关于这座楼阁的建造有很多传说，最流行的一个说法就是鲁班设计建造的。传说当年陈镛下令建造一座楼的时候，工匠们老是拿不出方案，这时东昌府来了一位白发飘飘的老道，他左手拿着一把没柄的斧头，右手里托着一座小楼的模型，这个小楼模型的高是九寸九。一位老木匠看到后请求老道留下了小楼模型。然后他们照此模型扩大了100倍开始造楼。工程进行的很顺利，楼盖好了却遇到了一个新问题，原来楼上的木头老是活动，现加楔子急既来不及，也不易楔了。这时，老道又来了，他一声不吭的砍了一大堆木楔子，然后用手一指，楔子全都飞上卯里，一个不多，一个不少，高楼马上稳固了。老道又围楼转了三圈，木匠们也跟着转，转着转着就看出了门道，此楼还有点向西北倾斜，但见老道最后在西北角把他的锈斧头塞进楼基条石下，人们眯眼一瞧，楼身还真正过来了，木匠们知道遇到了神仙，赶忙跪地叩拜，等他们抬起头来，已不见老道身影，人们知道老道是神人，鲁班显圣了，于是，楼建成后，人们就把鲁班的像塑在这里。），
“巧夺天工”四个大字便是末代皇帝的弟弟溥杰1988年为庆贺光岳楼被列为全国重点文物保护单位时题写的。这四个字发出了对光岳楼的惊叹！
神龛两侧可以看到一副红色楹联，上联是：“泰山东峙，黄河西临，月色涛声，凭栏把酒无限好。”下联是“层台射书（鲁仲连射书喻燕将），微乡（殷纣王时期,封其兄启于此,称微子国）明志，人杰地灵，登楼怀古有余馨。”上联写景，描绘了聊城的地理位置，下联写人，说聊城自古人杰地灵，而登上这座楼，就可以让我们想起古人创下的伟大业绩。这是一副人景合一的对联，是1933年聊城县县长孙桐峰所制，1992年10月由山东大学教授，著名书法家蒋维松先生重新书写的。
现在我们再来看一下这个楼阁的主要构件。这个楼阁全部都是卯榫搭扣的木制楼阁，在它的主框架结构中，没有用过一颗钉子。我现在手扶的这根两边有红色抱柱的木柱一共有32根，我们在屋里可以数到12根，另外有20根是砌于砖墙之内的。楼阁是框架结构的楼阁，墙倒楼不倒，砖墙只是起到了挡风避雨的作用，起主要支撑作用的就是这32根木柱，这种木柱我们现在叫金柱，因为它非常的高大，当地人也叫它通天柱，它的高度是11.58米，从一楼一直通到三楼，它是一整根的木柱，中间没有断接的。这种木柱便是由原来的苏绿国也就是现在的菲律宾国家由海运经京杭大运河运到我们聊城来的，它是一批贡木，当时是用进贡的木料来建造聊城古老的城墙，可以看出，在当时聊城的军事地位是非常的重要的。
随着明王朝统治的巩固，此楼军事功用很快被遗忘，但光岳楼却以她雄伟高大而名扬天下。现在就请大家随我登楼参观。
因为楼阁是木制楼阁，为了防火，楼上没有电，楼梯是比较黑的，所以大家在登楼的时候都注意脚下。
（二楼，摄影展聊城俯瞰图前）
刚才我们已经看了聊城的古城模型图，现在我们再来看一下这副图片，它是2002年10月所航拍的聊城的俯瞰图。从这副图上我们可以看出，我们聊城古城保留的非常完整，边界非常的方正，边长一公里，面积就是一平方公里。位于古城正中心的就是光岳楼，四条主干道方向是非常的方正，东、西、南、北四座关桥就是当时东、西、南、北四座吊桥的原址部位，绕城一周的蓝色地带就是当时的那条护城河，但是现在经过几百年的开凿，已经形成了6平方公里水域面积的东昌湖，它是北方最大的人工湖，和杭州的西湖相当，它的储水量是1.5亿立方米，主要引用就是黄河水。从这副图上我们就可以看出我们聊城这种独特的城市格局：湖中有城，城中有湖，城湖河一体。一会我们便可以在四楼非常直观的看到这种景观。只是有一点比较遗憾，您看一下，这面是西面，从图上我们可以看到西面的湖面是最窄的，这一部分水面已经让房屋给挡住了，我们看不到了，但是我们可以看到西关桥，它就是当时西吊桥的原址部位。下面我们到乾隆行宫。（乾隆行宫内）
乾隆行宫是乾隆皇帝当年题诗和休息的地方。据《南巡盛典》记载，光岳楼为乾隆36行宫之一。
在行宫之内，我们可以看到墙壁之上有一副图，它就是《南巡盛典图.东昌段》，乾隆皇帝南巡之时带了随行的画师，画师用笔把沿途的景色描绘下来，集结成集后，有一部分便称为《南巡盛典图》，它就是其中的《东昌段》，再现了清朝时期聊城的部分景色.我们看一下,最高的楼阁掩藏不住的就是我们的光岳楼,往下是古老的城墙,再往下这条河就是历史上非常有名的京杭大运河.这条河是元至元26年所开凿的会通河的一段.运河给聊城带来四百多年的繁荣史,特别是明永乐十三年,海禁,这条河就成了连通南北的唯一的一条水路通道,因此在当时聊城是非常的繁华,被誉为“漕挽之襟喉,天都之肘腋”,也有“江北一都会”的美誉。旁边的塔就是聊城最古老的建筑，建于北宋年间的铁塔，据今已经有一千所年的历史了。
在乾隆行宫之内我们再抬头往上看，由二楼我们就可以直接看到三、四楼的景致，这叫做“空井”，它是宋元的一种建筑风格。空井是用来通风、采光的，而在当时建造这个楼阁的时候，这个地方实际上是一个上料口。整座楼都是用木头构建，用料很大，别的地方运很困难，所以通过这个地方用绳子把木料拉运上去，然后进行上层的建筑。
再往上看，我们就可以看到四楼的屋顶，一个非常漂亮的屋顶。是用木头依次雕刻而出的一朵硕大的莲花，周围是荷花、菏叶和莲子来衬托。它的学名叫‘藻井“，也叫“莲花井”，古人把莲花雕刻在屋顶之上有自己很深的用意，楼阁是木制楼阁，最怕的就是火，当时古人已经有了防火的意识，但是他们没有措施，因此便把水中的吉祥物雕刻在屋顶之上，起一个警示的作用，提醒自己一定要防火。你看这朵莲花，它是倒置在屋顶之上的，莲都是生长在水中的，也就是说我们的屋顶便是水座的，“天水克地火”，古人巧妙的利用这种五行相克的原理，是希望这朵莲花可以镇住这个楼阁，给这个楼阁带来一片祥和。
现在我们到三楼参观。
走到这大家可以发现，我们的楼梯是越来越陡，越来越窄，因为当时是军事功用，这样易守难攻，便于防御。
（三楼上）
三楼是一个结构暗层，光线非常暗。它是一个过渡层，在这起到承上启下的作用。
刚才在一楼的时候我给大家讲过，我们这个楼阁是由32根高大的木柱起了主要的支撑作用，现在我们首先来看一下这32根木柱的顶端。（在梁枋下面）。这就是其中的一根，11.58米的高度就此终结。在它的上端周围都是一些木头的梁枋，是用圈梁的形式把内外两漕圈起来，我们看到只是它最里面的一部分，外面还有一漕，中间有一定距离，在梁枋上方我们可以看到这些笨重的类似龙头一样的构件，它叫做斗拱，这些斗拱都是承重构件，它首先把下边柱子上的压力进行层层的向上传递，然后把楼上的压力进行层层分解，这样上下两个方向的力达到了一个平衡。大斗拱外面檐壁之下还有200多个小斗拱，斗拱内外两部分是连在一起的，这内外两者之间又可以把内外的力层层的分解、传递，使内外两个力达到一个平衡，由此我们可以看出古人在建造这个楼阁的时候已经把力学研究的相当的透彻了。好，现在我们到四楼参观。
（四楼上）
四楼是我们这个楼阁的最顶层。四楼有四个嘹望口，这四个嘹望口就是当年明军嘹望敌情的地方。由这四个嘹望口我们就可以看到聊城古城的全景。（站在南嘹望口）
现在我们所站的位置就是南嘹望口，您看到的湖面就是当时的护城河，现在的东昌湖，桥就是南关桥，是在原南吊桥的原址部位上修建起来的。在前方我们还可以看到一个古建筑群，它就是清朝四大私人藏书楼阁之一的海源阁。海源阁是由当时江南河道总督聊城本地人——杨以增创建，它是江北最大的私人藏书楼，与江苏常熟翟绍基的“铁琴铜剑楼”、浙江杭州丁申、丁丙的“八千卷楼”、浙江吴兴陆心源的“百百（bi）宋楼”并称为清代四大私人藏书楼。1972年，毛泽东主席作为国礼赠送给日本内阁总理大臣田中角荣的《楚辞集注》就是出自于海源阁藏书的影印本。
（站在西嘹望口）
我们现在所站的位置就是西嘹望口，西面的水域是最宽阔也是最漂亮的。前面的这座桥就是西关桥，也叫东昌大桥，还有个名字叫世纪拱桥。它是二十世纪末开始建造，二十一世纪初建成，有二十一个拱洞，象征跨入二十一世纪。这座桥是目前聊城规模最大，投资最多的一座桥梁，全长322米。它的护栏非常考究，全部都是采用北京房山一级汉白玉，用浅浮雕的手法雕刻了266块《水浒》故事图案，如果我们漫步东昌大桥一个来回，就象是看完了一整部的《水浒传》。在西南方向我们可以看到一个半球形的建筑，它就是我们新城的标志性建筑——水城明珠大剧场。水城明珠大剧场是根据澳大利亚悉尼歌舞剧院，由北京清华大学设计建造而成的，全国唯一一个具有开启闭合功能的歌舞剧院，它的高度也是33米，九丈九尺，和光岳楼一样高。里面一共有3636个新型座椅，它也是目前为止国内最大的室内单体剧场。
（站在北嘹望口）
我们现在所站的位置是北嘹望口，北面的水域是比较窄的，但是我们还是可以看得到水。前面的桥就是北关桥，是在原北吊桥的原址部位上修建起来的。由北面我们可以看到聊城独特的城市格局，“湖中有城，城中有湖，城湖一体”，东昌湖以内的这些底矮的建筑就是古城区，湖以外的高楼大厦就是新城区。早在建国初期，为了保护聊城历史文化遗产，在制定第一个城市规划时，就确定了“保护旧城，开辟新区”的建筑原则，古城区内所有的建筑物的建筑高度都不能超过12米，也就是光岳楼一楼房檐的高度，因此，较完整的保留了聊城古城原有的风貌。
近处我们可以看到一个绿色植被比较多的方正院落，这就是范筑先纪念馆。范筑先，山东馆陶南彦寺人，著名民族英雄，时（1936）任山东省第六区行政督察员，保安司令兼聊城县长。他积极拥护党的抗日主张，坚持抵制韩复榘南撤命令，并于1937年11月19日通电全国，誓死抗战到底。1938年11月14日，日军侵犯聊城，由于顽固分子破坏，范筑先等不及撤退，坚守城池15日，日军攻破城池，壮烈殉国。1987年，聊城地区行政公署和聊城市政府共同在此修建了范筑先将军殉国处纪念馆。中间黑色最大的石碑就是邓小平所题的“范筑先殉国处”，旁边有一个小的石碑，是1947年1月解放聊城时，八路军某政治机关为保护固有文化免于战争损坏，向入城部队发布的三项命令。其中第一条就是“向范筑先烈士墓地立正，敬礼”。第二条在海源阁，“保护中国四大私人藏书楼之一的海源阁图书馆”，第三条就在我们的东面了，“妥为保护傅斯年在北关街的住宅。”
（站在东嘹望口）
过了东关桥就是北关街了，傅斯年纪念馆在北关街的东首。
傅斯年，字孟真，他是我国著名的史学家，教育家和社会活动家。曾做过北京大学代校长，台湾大学校长等职务。傅斯年的一生，做了许多深有影响的大事。他创办了历史语言研究所，主持了山东城子崖龙山文化遗址和安阳殷墟的挖掘工作等。他是我国现代知识分子中的杰出代表，是一位学贯中西的学术大师，也是我们聊城的骄傲。
站在这，我再给大家讲一下光岳楼名字的由来。光岳楼初名为余木楼，它是建造城墙剩余的木料所建，又称“鼓楼”明成化22年，光岳楼大修后，东昌知府扬能，因其地处东昌，将其更名为“东昌楼”，明弘治九年（公元1496年），部考功员外郎李赞路过东昌，随东昌太守金天锡登临此楼。李赞对这个楼阁大为赞赏。他就是站在我们现在所站的位置，面向东面，隐约中就看到了泰山，据说倒退四五十年以前，在雨过天晴的时候是确实可以看到泰山的。在古时候，泰山是人们心目中的神山，因此李赞在他的《题光岳楼诗序》中这样说道：“因叹斯楼，天下所无，虽黄鹤、岳阳亦当望拜。乃今百年矣尚寞落无名称，不亦屈乎？乃与天锡评，命之曰：光岳楼，取其近鲁有光于岱岳也。”意思就是说这个楼阁靠近东岳的泰山，是受泰山神光的庇佑，所以取名光岳，一直沿用至今。
如果说这个楼阁确实是有泰山神灵的保佑也好，或者是说是莲花井的警示作用也好，或者是聊城人们人为保护的好也好，这个楼阁631年来，大小火灾一次都没有发生过。631年了，它一直屹立于聊城古城正中心，见证着聊城的历史和沧桑，它是聊城古城的标志性建筑，也是聊城历史文化的象征。
好了，我们光岳楼的讲解就到此结束了，下面大家可以自由的参观一下，**分钟后我们楼下集合。
Light on Floor
Dear Ladies and Gentlemen: We have before us the magnificent tall light tower is well-known mountain floor.
Yue floor light of national historical and cultural city ----- Liaocheng symbol. Ming Hongwu it for seven years (1374 AD), now has a 631-year history. According to Yue floor light in Liaocheng city center, in the construction of the pavilion's main role is to: "更漏strict, long-term perspective to see the enemy, time alarm," the military role. Pavilion reflects the Song, Yuan, Ming and Qing architectural construction to a transition in the history of Chinese architecture has a high status, so in 1988 when it was named the state's key conservation units.
Yue-kwong floor area of 1236 square meters, the appearance of four ridges重檐歇山cross the street-style pavilion, with east, west, south and north of four arches, the same four, the amount of tickets above the door puzzle, South said, "civilization", North Saying "Wuding," West said, "Lai-hing," East said, "Peace." From the building structure on it and at the same time the construction of the Xi'an Bell Drum Tower the same as the main building by the pier and is composed of two parts, we can see that the masonry structure with a high of nine meters (accuracy is 9.38 meters) is Piers, Piers is located in the main building above the height of 24 meters, the entire tower height and the bottom edge of the pass are 33 meters long, that is, the nine ancient Zhangting九尺, nine in ancient China as the number of very positive, meaning its height is not exceeded. 631 years ago, Yue-kwong, Liaocheng city has been building the highest most magnificent buildings.
The rest is up to please visit with me and other buildings. (At the beginning of登楼)
Because the construction of the pavilion at the time it is the military role, so this is the only channel up and down a relatively steep slippery stairs, we登楼attention at the foot of the time.
Xuan檐下within the open we can see a piece of wooden board, "Gordon Green has a ladder", which is the original calligraphy by Mr Qi Gong Association title. (Qianlong御碑ago)
In front of us is that this monument of the Royal Qianlong Chapter poetry monument system. Emperor Qianlong had been Dongchang 9 (5 times Tour East, southern 6th, 9th through the Beijing-Hangzhou Grand Canal pass by here), six登楼, improvisation upstairs做诗13, this monument is inscribed on the integrity of the 5. Monument surface 2, two碑阴, there is one side of the monument.
Carefully may have found the middle of this monument marks disconnect, leave had been destroyed during the Cultural Revolution, the historical records, there are two of the Royal system Qianlong stone, only to resume after the Cultural Revolution from a piece, another piece has been I am sorry come.
We have this piece of stone has its unique heritage value. This is mainly reflected in two points, we focus on the monument side look at this poem. First of all, we see the fonts, Qianlong emperor in Chinese history is a very talented emperor, in his writing throughout his life has reached more than 10,000 on the first, he stayed in various spots of the word is also considerable, but Qianlong emperors in other places to stay for Cursive characters or lower case font, you see this poem, it is行楷fonts, this font is rare, it is more valuable, this is one. Second, this poem is the Qianlong emperor 55 years when 80-year-old by the last登楼title, 80-year-old Emperor Qianlong wrote very few poems, so this poem is quite meaningful, and we see him write the word the vigorous and effective, smooth flowing, we can see the emperor's calligraphy, we are very simple and honest knowledge of. If you are interested in calligraphy, one can try to figure out a careful look.
Here with me now please.
(The first floor of the East Gate)
East Gate in the lintel above the first floor, we can see a wooden plaque, this plaque is very interesting, you look at the first word right-hand side, very like what we are now written by the North and the South's "East" word , but this board is the title of the Qing period in the Qing Dynasty, and there is no "east" of the abbreviated word, "east" it should be the first three words, the word is that we Dongyue Taishan's "Thai" characters, "泰岱Tsui East to do ", meaning to say: The Towering Taishan mountain is merely a light green floor, the east of a barrier. The authors used a very exaggerated way to describe the tower is very tall and magnificent, it is the author of the famous Qing Shi Runzhang poet. Shi Runzhang word is still white, No. Yu Shan, Anhui Xuancheng, and at that time Shandong Xuezheng官居, he is to his students get, that is, "Strange," the author of Pu, Pu Shi Runzhang is teacher. Shi Runzhang Shandong doing Xuezheng Liaocheng been broken during a very well-known cases - rouge case, after loading his students SONGLING "Strange," which is why we see the story of the girl rouge (in our Lake Heart Island岳亭look重檐painted rouge on the girl's story, the island is also called rouge Island)
(First floor room, while the ancient city model)
Please come to the room.
The first floor in our room, first of all that we see the model Liaocheng city. It is based on years of the Qing Dynasty Jiaqing "Dongchangfu chi" and "Dongchangfu city map" produced. From the chart we can see, we Liaocheng city side of the border is, while it is one kilometer long, is an area of one square kilometers. According to the ancient city is the center of the tall tower is the station we are now the location of light-dake floor. It is the crossroads of the four main road, which is the direction of the four main road of the Founder, was a cross, the other a vertical cross-streets. Overall, as our ancient Liaocheng is a big chessboard, with a bit similar to the ancient city of Xi'an, is the framework of grid mesh grid.
Liaocheng since ancient times as they: "can not lose the Phoenix settlement of the city", that is to say we were Liaocheng in the defense system is very complete, and now we look at the Liaocheng on the defense system. First of all we see is the ancient city wall, you do not have a look at the four corners敌楼every one has a turret, there are east, west, south, north four Shing, Shing Mun outside the box called "瓮城"There is a proverb called"瓮中捉鳖"refers to the瓮城our. Liaocheng瓮城with other parts of the瓮城is different, because it turned the door is the door, which at that time, it also adds to the defensive. Taiwania瓮城outside the high part of the city retaining embankment, the middle for the bridge, the beltway week was a blue zone三丈wide, deep moat of两丈, defense system is complete.
This scale is the establishment of the early years of the Ming Dynasty stationed in our first Royal Dongchang command Wei Qian Yong Chen built so. Liaocheng was left over from the Song and Yuan Dynasties Tucheng, Chen Yong Tucheng think this can no longer meet the needs of the military at that time, in order to combat with residual Yuanjun, he released a letter to the emperor, the Soviet Union from the Green Power, which is now the Philippine National transported to a number of tribute to the construction of nanmu Liaocheng ancient walls, and then he left with the construction of the walls of the timber and masonry in the city center with the construction of such a military role in the loft floor is light-dake, so building the early days of being referred to as "more than木楼." Also known as Gulou.
Let us now follow the direction of my hand up, in the top of a shrine, dedicated to a niche where a statue, he is the carpenter Lu Ban祖师爷. (In Liaocheng on the construction of the pavilion there are many legends, one of the most popular design that is built in Luban. Legends Yong Chen was ordered to build a floor, when the craftsmen老是拿not see the program, when Dongchangfu to the Music of the Road, a white hair, he left no one with the ax handle, right hand holding a small building in the model, this small building is a nine inch high model of 9. an old request to see a carpenter Road left a small building model. and then they broadened the basis of this model to start building floor 100 times. works very well, good floor, it will encounter a new problem, the original wood floors are always activities, are additional wedge both anxious time, but also a hard wedge. At this time, Road again, he's cut a lot of silent wooden wedge, and then手一指, wedge d fly in all, a little, a lot of , a strong high-rise immediately. Wai House Road and turn three times, followed by a carpenter who also transferred, the transfer to the Road to see that the floor still tilted to the northwest, but see the last section in the northwest corner of his rust axes into the stone floor, under the rules-based, people squinting一瞧, are also building up a genuine, experienced carpenter gods know,叩拜down quickly, and they looked up, have not seen Road, people knew that God Road people, Luban Vision, and therefore, the property completed, people just like plastic Luban here.),
"Representing" the four characters is The Last Emperor's brother in 1988 to celebrate Pujie Yue Floor Light is listed as key national heritage conservation units inscription. Words sent a light-dake amazing floor!
Shrines on both sides of a red couplets can be seen, the joint is: "Zhi, Shandong and Thailand, west of the Yellow River, the moonlight涛声, lean on a railing is infinitely good wine." Is下联"layer of Taiwan launched the book (the book鲁仲连shot喻燕will be), micro-township (殷纣Wang period, the closure of Kai brother here, said the country sub-micro) Mingzhi, outstanding,登楼have余馨tone. "写景the Alliance, described the geographical location of Liaocheng, who wrote下联that Liaocheng has always been outstanding, and the board这座楼, you can record reminds us of the great performance of the ancients. This is one of a King who couplet is Liaocheng Prefecture in 1933 the system孙桐peak, in October 1992 by a professor of Shandong University, a famous calligrapher Mr. Jiang Weisong re-written.
Now we take another look at the main components of the tower. The pavilions are all mortise and tenon wooden hasp pavilion, the main frame in its structure, not a nail used. I now hand the root of this column on both sides of the red wooden pillars hold a total of 32, we can be in the house number to 12, while block 20 is within the walls. Pavilion Pavilion is a frame structure, the wall would not be brought down by floor, brick wall rain only play the role of the wind as a major supporting role is that of the 32 wooden pillars, wooden pillars that we are now called Kim, because it is the tall, the locals also call it pass Tianzhu, its height is 11.58 meters, from the first floor has lead to the third floor, which is a whole root of the wooden pillars, there is no disconnect in the middle. This is the wooden pillars of the Soviet Union from the green country of the Philippines is now the country by the sea by the Beijing-Hangzhou Grand Canal to Liaocheng to us, and it is a group of kung wood, then wood is tribute to the ancient city wall built Liaocheng, you can that at the time of the military status of Liaocheng is very important.
Dongguan had Beiguan Street Bridge is, and Fu Guan Memorial Hall in the North East First Street.
Fu, Meng true character, he is well-known historian, educator and social activist. Peking University has done on behalf of principals, heads of universities in Taiwan and so on. Fu's life, done a lot of deep impact event. He founded the Institute of History, chaired the Longshan Culture in Shandong Chengziya Yin Ruins in Anyang sites and the excavation work. He is of modern intellectuals in the outstanding representative of a school's academic master of both Chinese and Western, is also the pride of Liaocheng.
Stand this, I give you light to talk about the origin of the name of mountain building. The beginning of light known as Yu Yue木楼floor, which is the remainder of the construction of walls built of wood, also known as "Drum" Ming Chenghua 22 years after the overhaul floor light Yue, Yang Dongchang can知府because Dongchang located, will be renamed as "floor Dongchang" Koji prescribed nine years (AD 1496), the Ministry of Examination员外郎Gong Li Chan Dongchang passing, with the金天锡Prefecture Dongchang the floor board. Lee Chan significant appreciation of the pavilion. He is standing on the station we are now the location for the eastern side of the lines seen on the Mountain, is said to back四五十年ago, when the storm really can see the Mount Tai. In ancient times, the eyes of Taishan Mountain is so Chan-Lee in his "Poem title sequence optical Yue House" in said: "The Adams House sighed, and the world, which is, though Hwanghak, they should look Yueyang al. Is this century is still lonesome down without having the name, do not also屈乎?天锡is with the comment of the said Order: Optical Yue House, lesser light in the near Lu also岱岳. "mean that is close to the pavilion Dongyue Taishan, Taishan Shenguang is subject to the blessing, so named Yue-kwong, are still in use.
If it is indeed the house of God or the gods Taishan, or wells that lotus or warning, or the protection of Liaocheng good people or man-made, the tower 631 years ago, the size of the fire has not happened once. 631 years, it has been standing in the center of the ancient city of Liaocheng, Liaocheng witnessed the history and vicissitudes of life, it is Liaocheng city landmarks, history and culture is also a symbol of Liaocheng.
Well, we light on the mountain on the floor of this end, the following are free to visit us about ** minutes after we set the ground floor.
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